...is a weblog about the liberal arts 2.0 edited by Jason Kottke since March 1998 (archives). You can read about me and kottke.org here. If you've got questions, concerns, or interesting links, send them along.
The first episode of a new web series "about dressing like a grownup" called Put This On is about denim. Denim like a jean. Put This On is hosted by Jesse Thorn of The Sound of Young America and Adam Lisagor, the web's loneliest sandwich.
Adam Lisagor notices that the iPhone 3GS camera might always be buffering images so that when you press that shutter button, you get the photo that you wanted, not the one delayed by slow software or a slow shutter. Adam's observation gives me the opportunity to trot out one of my recent favorite informational factoids about the super high-speed cameras used to capture jumping great white sharks:
In order to get the jaw-dropping slow-motion footage of great white sharks jumping out of the ocean, the filmmakers for Planet Earth used a high-speed camera with continuous buffering...that is, the camera only kept a few seconds of video at a time and dumped the rest. When the shark jumped, the cameraman would push a button to save the buffer.
The introduction video for Birdhouse is just really fantastic; the best iPhone app intro video in the universe probably.
The NY Times gets all nostalgic about VHS and the upcoming releases of Be Kind Rewind and Son of Rambow.
The generation that came of age in the '80s, as the VCR was becoming a staple, is especially prone to VHS nostalgia, a manifestation of the broader retro culture that has accounted for untold hours of programming on VH1.
In December, Adam Lisagor wrote a similar piece on VHS nostalgia and the movies for kottke.org:
But for a generation of filmmakers who cut their filmmaker teeth by shooting with the family camcorder and editing with two VCRs, there is a logical fixation with the object of the plastic and magnetic 1/2" VHS videocassette and the visual artifacts of its recorded image.
People who know me know that part of my charm is how wrong I tend to do things. Raleigh St. Clair could write books on my horrid sense of direction (I couldn't tell you how to drive to my favorite restaurant yet I'm a totally awesome driver, curiously). Yesterday I made out-of-the-box mac n' cheese but ruined it so royally I ended up dumping it and having an ice cream cone for lunch (no ice cream - just the cone).
So what the hell am doing guest-writing for this man, this hero of the web whom I so admire? I'd been toying with the idea of referring to Mr. Kottke only as 'Cousin Jason' hoping this would remove any doubt as to how I'd been put up to the task. But no, we're not related. If we were, I'd have an easier time backing out at the last minute.
You may think, "Well, here you are, these are your words on the kottke blog, so you must've done something right." I wouldn't be so sure of that. But we'll see if I can't class this place up a bit while Mr. Kottke maintains his undercarriage.
For the next week, Adam Lisagor is going to be helping me out with kottke.org as I spend the week working on the site's undercarriage, performing some long-overdue maintenance and (hopefully) finishing a couple of projects begun long ago during the Golden Age of Weblogs. As it happens, Adam worked on The Day After Tomorrow, one of my favorite movies of all time. Seriously, Adam really worked on The Day After Tomorrow and, seriously, The Day After Tomorrow is one of my favorite movies of all time. (Seriously! I've seen it like 20 times.)
You may know (or get to know) Adam from the iPhone cut and paste demo video he did, his tumblelog lonelysandwich, or his Merlin Mann-recommended Twitter stream. He lives somewhere in California, which I'm told is a requirement for working on movies. But enough of that from me...I'll let Adam introduce himself tomorrow morning before he gets going. Welcome, Adam!
Nice video of how a copy and paste feature might work on the iPhone. There was a lengthy discussion about how to implement this on kottke.org last month.
The best way to get a sense of what kottke.org is all about is to head to the front page or check out some random entries from the archives.
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