I was re-reading Carl Sagan's novel Contact recently, essentially a series of arguments about SETI wrapped into a story, and he alludes to some sort of cosmic Grand Central Station. That, coupled with my longtime interest in transit maps, got me thinking about all of this.
With his higher-end grands -- which the Fandrichs named "HGS" for "Holy Grail Scale" -- they start with pianos built in China. He and his workers gut the piano, replacing the hammers, felt and bass strings with German and American parts. They reinforce the underbelly of the piano by installing short ribs -- spruce beams between the existing main ribs.
Using a computer program designed in-house, the keys are reweighted across the board to eliminate friction and even out the response. The reweighting gives the Fandrich pianos their signature touch, one that some players have described as buttery, effortless.
In automotive terms, the Fandrichs are "trying to upgrade a Hyundai to run like a Bentley, for the price of a Honda". (via girlhacker)
A periodic table of awesomeness featuring Bacon as element #1, Laser as #21, and Black Holes as #82. I like bacon. Bacon is a close personal friend of mine. But can't we keep this overexposed pork product out of it for once? (via rw)
After posting the video of the chickens from the Muppets clucking their way through the Blue Danube waltz, I couldn't resist putting it together with the most iconic use of that tune in contemporary culture. Here, then, is Stanley Kubrick's 2001: A Space Odyssey, the Chicken Cordon Bleu Danube cut.
Just Like the Movies is a short film by Michal Kosakowski that samples footage from movies that were made prior to September 2001 to recreate the events of 9/11. More info.
"It's just like the movies!" was usually the first reaction of those watching the events of 9/11 in New York unfolding on their TV screens, no doubt recalling the endless number of catastrophes that Hollywood has proposed over the years. Now confronted with the reality of one such scenario -- of unprecedented destructive and symbolic resonance -- a feeling of deja vu arises while looking at these images.
In a compilation of 64 videos all shown on the same page, one man recreates Thriller -- the beats, the howling, the singing -- all by himself. This is pretty awesome, like Christian Marclay on speed. (thx, christopher)
Artists who believe in the mystique of originality are often reluctant to reveal their inspirations. But the magpielike Mr. Desplechin revels in what the writer Jonathan Lethem has called the ecstasy of influence. "I didn't invent anything," he said. "Being a director is not such a grand thing. My job is just to show the audience what I love."
The funny thing about the "ecstasy of influence" quote is that it was used by Lethem in a well-knownHarpers article about plagiarism that was itself, in Lethem's words, "stole, warped, and cobbled together" from a variety of other sources, which sources he lists at the conclusion to the article.
The phrase "the ecstasy of influence," which embeds a rebuking play on Harold Bloom's "anxiety of influence," is lifted from spoken remarks by Professor Richard Dienst of Rutgers.
The ecstasy of influence would make a good name for this here blog. (via snarkmarket, another ecstatic influence fan)
Here's how to use the RJDJ iPhone app. You install the app, plug your headphones in, launch it, and press "Now Playing". A song plays, the app starts to sample the sounds in your environment, and those sounds are remixed in real time and played back to you. It might be the coolest thing ever. Check out this video and this other video for a quick look at how RJDJ works. The first video shows some songs that use the iPhone's accelerometer to modify and scratch the beat. (via waxy)
PS. It might only be the coolest app in theory...it's also flaky as hell. It was working fine for me and then crapped out...there's no music now, only sound sampling and it's really quiet. Maybe you need to use the Apple headphones with the mic?
5.21. Prefer the standard to the offbeat Young writers Inexperienced programmers will be draw at every turn toward eccentricities in language. They will hear the beat of new vocabularies abstractions, the exciting rhythms of special segments of their society industry, each speaking a language of its own. All of us come under the spell of these unsettling drums; the problem for beginners is to listen to them, learn the words, feel the vibrations, and not be carried away.
The Triple-A game is exhaustive by nature; but the world is inexhaustible; therefore the Triple-A game, that Faustian striver, can never attain its desire. The independent video game by contrast is inherently selective. By excluding almost everything, it can give perfect shape to what remains. And the independent video game can even lay claim to a kind of completeness that eludes the Triple-A game -- after the initial act of radical exclusion, it can include all of the little that's left.
This year's harvest of crop art from the Minnesota State Fair included Grand Theft Festal, a mashup of Grand Theft Auto and Festal-brand canned corn done in millet, alfalfa, canola, and white clover seeds. The artist recorded a timelapse video of its construction. (via mark simonson)
For his Faces of Evil project, Hans Weishäupl made composite photographs of the world's worst dictators by photographing hundreds of people in each dictator's country and stitching them together. The results are a bit disturbing, particularly when viewing very large, clear, vibrant color photos of long-dead monsters like Stalin or Hitler. (via conscientious)
Among the 800 vintage automobiles brought by collectors were ones that had been converted to snowmobiles, racing coups and tow trucks. That was only a glimmer of the many innovative changes made by Model T owners, for uses Henry Ford never had in mind. They transformed the cars into tractors, pickup trucks, paddy wagons, mobile lumber mills and power plants for milling grain. An itinerant preacher converted his into a four-wheeled chapel.
An inventive cover version of Radiohead's Nude played by the following instruments: Sinclair ZX Spectrum computer, Epson dot matrix printer, HP Scanjet scanner, and an array of hard drives. Skip ahead to 1:08 if you can't wait through the opening. This isn't the correct technological time period to be steampunk. Bitpunk anyone? (via waxy)
A sad Kermit the Frog sings Elliot Smith's Needle in the Hay (complete with The Royal Tenenbaums parody), NIN's Hurt, and Radiohead's Creep (in which Kermit says "fucking"). (via buzzfeed)
This page generates names by combining the first and last names from the 1990 US Census, creating names that may or may not actually exist. If you're tired of perusing gravestones for the names of your next novel's characters, this looks like a good alternative.
I hate cynicism. I wipe it from me. I don't like cynical people. I don't like cynical movies. Cynicism is very easy. You don't have to justify it. You don't have to fight for it.
In a map of the Republik van Nieuw Nederland, Paul Burgess imagines that the Dutch never gave up their New World possessions and a republic formed centered around New Amsterdam.
New Amsterdam never gave way to New York. The Dutch kept the whole of their North American colony out of the hands of the perfidious English, in fact. New Netherland today constitutes a thriving Republic stretching from the Atlantic coast to Quebec, dividing New England from the rest of the United States.
When Muhly composes, the last thing he thinks about is the actual notes that musicians will play. He begins with books and documents, YouTube videos and illuminated manuscripts. He meditates on this material, digesting its ironies and appreciating its aesthetics. Meanwhile, he devises an emotional scheme for the piece-the journey on which he intends to lead his listener. Muhly believes that some composers of new music rely too heavily on program notes to give their work a coherence that it might lack in the actual listening. "This stupid conceptual stuff where it's, like, 'I was really inspired by, like, Morse Code and the AIDS crisis,'" he says.
Cherry Blossoms is a backpack that uses a small microcontroller and a GPS unit. Recent news of bombings in Iraq are downloaded to the unit every night, and their relative location to the center of the city are superimposed on a map of Boston. If the wearer walks in a space in Boston that correlates to a site of violence in Baghdad, the backpack detonates and releases a compressed air cloud of confetti, looking for all the world like smoke and shrapnel. Each piece of confetti is inscribed with the name of a civilian who died in the war, and the circumstances of their death.
A few months back a producer from the Simpsons contacted Carly about using her song 'everyday' for an upcoming episode in which they were going to parody my video. She was negotiating a rate for the song, until they never got back to her. No fee was agreed on, no contracts signed.
Maybe they decided since it was parody they didn't need permission? I don't find that likely since what little I know about Hollywood/TV is that they're really concerned about clearing rights. (thx, slava)
A plot of Japan's Phillips curve ("a historical inverse relation and tradeoff between the rate of unemployment and the rate of inflation in an economy") looks like Japan itself.
A pair of trend maps for 2007, both based on subway maps. The top one depicts the top online companies/brands & how they're connected while the bottom one deals with ideas (with the River of Consciousness standing in for the Thames).
Both maps were found in this article about internet predictions in 2007. I don't know about you, but I find these types of maps fun to look at, but completely inscrutable informationally speaking. Surely there's a more enlightening way to present this information than in Tube map form.
Human beatbox Lasse Gjertsen has taken his skills to the next level. His new video, Amateur, is a clever bit of video sampling: Gjertsen builds an entire song out of tiny video soundbytes of him playing the drums and piano. It's hard to explain, just watch the damn thing. Cameron says the video "feels like what DJ Shadow would produce if he made videos".
Onstage at PopTech just now, Brian Eno said that a musical piece by Steven Reich had a huge influence on how he thought about art. He said that Reich's piece showed him that:
1. You don't need much.
2. The composer's role is to set up a system and then let it go.
3. The true composer is actually in the listener's brain.
I'd never heard of Reich, but the name sounded familiar when Eno mentioned it. I realized I'd seen it yesterday when reading about Cory Arcangel's show at Team Gallery in reference to his piece, Sweet 16:
Cory applied American avant-garde composer Steven Reich's concept of phasing to the guitar intro of Guns and Roses' track Sweet Child O'Mine. Rather than use instruments, Cory took the same two clips from the song's music video and shortened one clip by a single note. As the videos loop, the two intros grow farther apart until they are back in sync.
He's veered away from video games, but Cory's new work is looking really interesting these days.
Ben Folds cover of Such Great Heights by The Postal Service using found percussion instruments (like a champagne glass and a plastic mail bin). (thx, james)
My friend Maciej found this map of NYC divided into sections that contain the same populations as other American cities. The page containing the image says it's from an unknown "City of New York publication". Anyone know where it's from or where to get a better copy? Email me.
Names of books + band names. Charlie Daniels and the Chocolate Factory, Motley Crusoe, The Natalie Merchant of Venice, and J-Lolita...you get the idea.