An effect extraordinarily limited in what can usefully be done with it, it has nonetheless been flogged to death in the 10 years since The Matrix.
The Burly Brawl from the second Matrix movie thankfully didn't make the list either, likely because the whole thing looks like a cartoonish video game (and not in a good way). The only quibble I can think of: maybe Titanic should have been on there somewhere? (via fimoculous)
Each worm/worm gear pair reduces the speed of the motor by 1/50th. Since there are 12 pairs of gears, the final speed reduction is calculated by (1/50)12. The implications are quite large. With the motor turning around 200 revolutions per minute, it will take well over two trillion years before the final gear makes but one turn.
Highlights of yesterday's Patriots/Bills game, aka The Wind Bowl. We must have rewound that Buffalo field goal attempt at least five times...I still can't believe it hooked that much in two different directions.
[Video removed because I couldn't figure out how to turn off the annoying autoplay. Go here to watch it.]
It works through a camera that uses recognition software that tracks objects based on their shape and color. The software then links each movement to different instruments that change in pitch and tempo as the fish patrol the tank. Fish that move toward the surface have a higher pitch. The faster they move, the faster the tempo.
The idea is to create audio aquariums for the blind. (via clusterflock)
The Fridrich Method is a collection of more than 50 algorithms for solving the Rubik's Cube. Developed by Dr. Jessica Fridrich, a Binghamton University electrical engineering professor, it is currently the fastest way to solve the Cube.
With Google Map Maker, you can become a citizen cartographer and help improve the quality of maps and local information in your region. You are invited to map the world with us!
Update: Several people wrote in to recommend OpenStreetMap instead because Google doesn't make the data available in a raw form whereas the OSM data is under a CC license available for derivative works like OpenCycleMap. (thx, mike and everyone)
Aired a few weeks before the 2008 election, The President's Guide to Science is a 50-minute video featuring several prominent scientists -- Richard Dawkins, Michio Kaku, etc. -- offering their advice for the incoming US President, basically what they would teach the President about science. (via smashing telly)
After posting the video of the chickens from the Muppets clucking their way through the Blue Danube waltz, I couldn't resist putting it together with the most iconic use of that tune in contemporary culture. Here, then, is Stanley Kubrick's 2001: A Space Odyssey, the Chicken Cordon Bleu Danube cut.
Update: The inbox consensus seems clustered around the opinion that this train is running on the contemporary 4/5/6 line. Here's a 1904 map which shows the then-IRT line in question (in red). At 42nd St, the line runs crosstown to Times Square and then up the 1/2/3. (thx jason et al.)
Man in Space was a short film made by Disney about the possibility of putting humans into space. The film was first shown in 1955 and features several prominent scientists of the day, including Wernher von Braun. The film is available for viewing on YouTube in eight parts.
Watch as they gloss over the use of rockets to bomb Europe during WWII and caution against smoking in space. Man in Space was followed by two other Disney short films, Man and the Moon and Mars and Beyond. Particularly entertaining is von Braun explaining his complicated plan to send a manned spaceship to the moon and back, which involves a permanent orbiting space station -- which looks not unlike a giant bicycle wheel -- with a crew of fifty and powered by a nuclear reactor.
In this video interview, long-time online community expert Randy Farmer explicitly references the broken windows theory and its application to online spaces. He tells an anecdote about how the quick deletion of trolling questions from the front page of Yahoo Answers led to a decline in the number of trolls. (thx, bryce)
Video of a man carrying 20 bricks on his head. And that's not even the most amazing part...he just kinda throws the bricks up there while staying balanced. I don't know, this looks fake to me...my extensive block stacking experience over the past few months indicates that this sort of thing is impossible. (via cyn-c)
Designer Peter Saville -- you know, iconic Joy Division album cover, Factory Records, etc. -- talks about his process a little bit in this video interview.
Learning and filing, learning and filing. Sounds familiar, yeah? (thx, paul)
In a compilation of 64 videos all shown on the same page, one man recreates Thriller -- the beats, the howling, the singing -- all by himself. This is pretty awesome, like Christian Marclay on speed. (thx, christopher)
If you can stomach more than 30 seconds of it, here's Snoop Dogg on Martha Stewart making cognac mashed potatoes. Here's part 2, in which Snoop and Martha compare posses -- bodyguards in Snoop's case and personal assistants for Martha. One of commenters on YouTube correctly notes that Stewart has spent more time in jail than Snoop.
Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. '2012' is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
It's worth sitting through the annoying "in a world..." narration to see the structure of an immense colony of ants. The scientists poured 10 tons of concrete down into an abandoned ant colony, waited for it to harden, and then spent weeks excavating the results.
During the construction of the giant structure, it's estimated that the ants hauled 40 tons of dirt out of the holes, the equivalent of building the Great Wall of China. (via cyn-c)
First, a fruit fly is tethered to a rod with a cylindrical LED display around it. The display shows geometric patterns that are known to make a fruit fly move left or right - a kind of virtual reality simulator for flies. Since the fly is tethered, it can't actually move, but it tries to anyway. "The fly's pretty dumb," says roboticist Brad Nelson, who created the "flyborg" with colleagues at the Swiss Federal Institute of Technology Zurich.
The patterns on the display are triggered by images transmitted from a camera mounted on a miniature robotic car. If the car approaches an obstacle, the display shows the appropriate pattern and the fly reacts accordingly. As it does so, another camera detects minute changes in the movements of its wings. "We measure the lift force and kinematics in real time," says Nelson.
The goal is to figure out how the fly makes decisions about movement so that those decisions can be replicated by a computer.
If the translation to English is to be trusted, Egypt's strongest man generates 240 horsepower, is medically exempt from working because he might hurt someone in the workplace, and, well, it just gets better from there. Oh, and HE'S NEVER SLEPT. (via delicious ghost)
It is the eleventh Star Trek film and features the main characters of the original Star Trek series, who are portrayed by a new cast. It follows James T. Kirk enrolling at Starfleet Academy, his first meeting with Spock, and their battles with Romulans from the future, who are interfering with history.
I'm not a proponent of the idea that any Trek is good Trek so I really want to hate this movie but it looks kind of awesome. At least f'ing McG didn't direct.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.
Online political observers say President-elect Obama's innovative, online-fueled campaign will likely evolve into a new level of online communication between the public and the White House -- the Internet-era version of President Franklin Roosevelt's famous "fireside chats" between 1933 and 1944.
Now that the Flip has released their handheld digital HD video camera, here's a little rundown of the offerings currently out there and coming soon.
Kodak Zi6 - 128MB of built-in memory, expandable to 32GB, 720p, 1280x720 at 60 fps, 2.4 in. LCD, AA rechargable batteries. $180. (Video sample.)
Flip Video MinoHD - 4GB of built-in memory (~60 min of video), 720p, 1280x720 at 30 fps, 1.5 in. LCD, very slim handheld. $229. (Video sample.)
Nikon D90 SLR - expandable SD memory, 720p, 1280x720 at 24 fps for 5 minutes at a time, 3 in. LCD, and almost every single setting and control that's available on a SLR camera. $1200. (Video samples.)
Canon 5D Mark II SLR - expandable CF memory, 1080p, 1920x1080 at 24 fps for 30 minutes at a time, 3 in. LCD, and almost every single setting and control that's available on a SLR camera. $2700. (Video sample.)
Red One - Not going to list the specs on this one, except to to say that you can shoot whole feature length movies on this thing at a higher resolution for less money than pretty much any other camera out there, digital or otherwise. $17500. (Gorgeous video sample.)
You may have noticed that the video of Burn-E I embedded looked a bit better than a normal YouTube video. YouTube has been quietly offering high-quality versions of some of their videos for quite some time via a "watch in high quality" link just underneath the player. It's not HD, but it's definitely an upgrade of YouTube's legendarily crappy video quality. By default all videos on YouTube and embedded on other sites load at normal quality, but there's a way to set your default viewing quality to high, link to high quality video, embed HQ video, and even save HQ videos for later viewing.
Set your default viewing quality to high:
When you're logged in, go to Account / Playback Setup / Video Playback Quality and set the option to "I have a fast connection. Always play higher-quality video when it's available."
Linking to YouTube videos in high quality:
If you need to link to a high quality video on your blog, append &fmt=18 onto the end of the YouTube URL, like so:
Upon arriving at the YouTube page, you'll see the highest quality video that YouTube pushes out. The full technical details are available here...basically it's a mp4 encoded using H.264 with stereo AAC sound at 480x360.
Embedding high quality YouTube videos:
The &fmt=18 trick doesn't work here, but a similar trick does. For each of the URLs in the embeddable code that you get from YouTube, add &ap=%2526fmt%3D18 onto the end, like so:
Saving high quality YouTube videos:
When you're viewing a high quality video on YouTube, you can use the KeepVid bookmarklet to download the mp4 file for later viewing on your computer, iPod, or iPhone. I tested this with the Burn-E video and the resulting mp4 was in letterbox format (480x198, or roughly the standard 2.40:1 aspect ratio).
BTW, here's a comparison of the low and high quality for the same video.
Update: I switched the example videos and code because YouTube took the Burn-E video down.
Update: I got an email from a YouTube engineer who tells me that format 18 isn't even the highest quality you can get. Check out Dancing Matt in format 22, aka 720p. Furthermore, some videos don't have a format 18 version (if the uploaded movie doesn't have sufficient quality, for instance). (thx, phil)
Sea Orchestra is a nice animated commercial for United Airlines done by Shy the Sea. As lovely as it is, the "making of" video -- which reveals reference materials, initial sketches, and storyboards -- might be even better. (thx, dave)
Dark Days is a documentary released in 2000 about a group of homeless people living in an abandoned Manhattan railway tunnel.
When he relocated from London to Manhattan, Marc Singer was struck by the number of homeless people he had seen throughout the city. Singer had befriended a good number of New York's homeless and later, after hearing of people living underground in abandoned tunnel systems, he met and became close to a group of people living in The Freedom Tunnel community stretching north from Penn Station past Harlem. After living with them for a number of months, he decided to create a documentary in order to help them financially. The film's crew consisted of the subjects themselves, who rigged up makeshift lighting and steadicam dollies, and learned to use a 16mm camera with black & white Kodak film. Singer himself had never been a filmmaker before, and saw the production of Dark Days as a means of gaining better accommodation for the residents of the tunnel.
And then there's the self-created interview ad that is a product of recent advances in technology. Camcorders that can be taken anywhere. We've seen self-reporting from the Iraq War and video diaries created by soldiers. The photographs and videos from Abu Ghraib are part of this phenomenon. Ultimately, video-blogging and self-reporting finds its expression in campaigns like the "Joe the Plumber." As I understand it, the McCain campaign has posted on its Web pages a request for people to film themselves and discuss why they are Joe the Plumber or Hank the Laminator or Frank the Painter. The intention is to collect these testimonials and then cut them together for a tax revolt television ad.
The Unfinished Swan is a maze game set in an entirely white world and you use a gun that shoots black paint balls to navigate your way around. Check out the demo video:
So there it is: a weird/powerful truism about social politics delivered in a catchy, post-modern package that uses parody, found video, and cutting-edge video techniques (and let's not sell Hype Williams short for a second -- check out the shots of Puffy and Mase in the yellow suits -- I mean, what the hell is that?!), all montaged together with an off-handed mastery (check out how some of the transitions are deliberately not on-beat) to create something that felt so like the future that it could never really be the future. Just like all videos for pop singles, it was dug, and it was forgotten. And so it goes. Somewhere out there there is a list of videos that really truly did something new, and this one belongs on that list.
From The Living Room Candidate, a site which houses presidential campaign commercials from 1952-present, comes a 1960 commercial for John F. Kennedy. How the ad positions Kennedy reminds me of the delicate fusion that Barack Obama is attempting with his relative newness to politics and readiness for the job.
Do you want a man for President who's seasoned through and through but not so doggoned seasoned that he won't try something new? A man who's old enough to know and young enough to do...
What a great ad...I wish they still made 'em like this. You may remember seeing this on Mad Men.
The stage manager didn't help. "Sting never shares a microphone," he muttered to Ketola as she waited in the wings before the concert. "So don't [expletive] up." But in true fairy-tale tradition, a white knight swept in with a bottle of water and a few reassuring words. "He says that to me every night, too," Sting confided.
Speaking of Yann Arthus-Bertrand, as we were just yesterday, he made a TV series based on his photographs. Information on how to actually view the series is scarce but a clip is available on the Earth From Above site about the sustainable farming practices used on the La Cense Beef ranch. Meg and I order from La Cense from time to time and it's good beef.
Tilt-shift camera lenses have been around for awhile and have been typically used in architectural photography to straighten perspective lines. A few photographers have recently begun to make what look like photographs of scale models, using these lenses to control the angle and orientation of the depth of field. Vincent Laforet or Olivo Barbieri for example.
Update: Director Matt Mahurin used the tilt-shift technique in music videos in the early 90s. Take Bush's Everything Zen video for example. (thx, siege)
I know I've posted this one before but I'm probably gonna post it each time I run across it.
That's chef Kin Jing Mark stretching and dividing dough into super-thin noodles. Seeing this when I was a kid made a great impression on me about the wonder of mathematics.
A mesmerizing video that shows computer generated geometric shapes that have evolved to walk in all sorts of crazy ways. The shapes are generated using the Darwin@Home software. Some of them resemble young children just learning to walk or crawl. The final "beast" is particularly elegant.
After a couple of teasers starring Jerry Seinfeld, Microsoft is airingsome new ads that take Apple's "I'm a PC" out into the real world. So instead of John Hodgman's dorky PC character (who is parodied in one of the new ads), they've got all sorts of people -- basketball players, actresses, scientists, fashion designers, etc. -- proudly declaring "I'm a PC". As Michael Sippey mentions, the ads do communicate a "message of joy and abundance and widespread use of Personal Computing", but they're not "great".
I briefly worked for a design firm in the late 90s that did a lot of advertising work. One of the hard and fast rules in the office -- which was taken from a book written by a successful ad man whose name I cannot recall -- was that if a company was #1 in a certain space, their advertising should never ever mention the competition, not even in an oblique fashion. And even if a company was #2, they should do the same and act as if they were #1.
That's the problem with Microsoft's ads. They're still #1 and the bigger company, but by referencing Apple's successful ad campaign, they're acting like Apple is #1. (John Gruber made this same point the other day.) The ads fail because they serve to remind people that Apple comes up with good ideas that Microsoft then takes and shapes into something that so-called "normal people" can use or understand. Except that this isn't 1993. With the iPod, iPhone, iMac, OS X, the Apple Stores, and the iTunes Store, Apple has their finger firmly on the pulse of what normal people want and Microsoft's recent attempts (the Zune, Vista) to keep up by emulating Apple have failed. If MS had created the "I'm a PC" message on their own, the ads would be great, but these copy-and-paste ads lack soul and are merely "eh".
What's interesting is that with the I'm a Mac/I'm a PC ads, Apple mentions Microsoft explicitly, over and over, proving the old adage that rules are made to be broken. What works in Apple's favor is that they are the #2 company and were clever about how they attacked #1. Microsoft's hamfisted ads are almost saying to Apple, "nuh-uh, my mom thinks I'm cool" while the image of Hodgman's frumpy PC is hard to shake and makes Windows seem lame without being overly insulting about it.
This is probably my all-time favorite childhood TV moment. I loved watching the smiling workers and relentless machinery turn all that formless wax into something that I USED EVERY DAY. My favorite part is the crayons popping up out of their molds. Still gives me chills, it does! BTW, the YouTube page says the video originated from Sesame Street but it was actually from Mr. Rogers' Neighborhood. (thx, janelle)
Update: I stand corrected...the above clip is from Sesame Street. But Mr. Rogers did show a similar clip on his show (stills here). I know I've seen the one on Mr. Rogers but I don't know about the Sesame Street one. (thx, everyone)
Video of rapper Soulja Boy reviewing Braid, an innovative Xbox 360 game in which a player can rewind the action to travel back in time to change previous actions in different ways. Soulja Boy *really* likes the time travel aspect of the game. I wish all game reviews were this exuberant. (via waxy)
I don't know if I'm interested in watching the show or not, but we might have a new leader in the best TV show main title sequence: True Blood. By the same folks who did the Six Feet Under titles. Perhaps NSFW. (via quips)
In 1972, Robert Frank followed The Rolling Stones on their tour of North America and made a film called Cocksucker Blues. The title referenced a song written by the band as a fuck-you to their outgoing record label. The film was never released but bootleg copies exist...and a copy has inevitably found it's way onto YouTube in nine parts (93 minutes total).
When Andy Warhol decided to shoot Blow Job, he rang Charles Rydell and asked him to star in it, telling him that "all he'd have to do was lie back and then about five different boys would come in and keep on blowing him until he came," but that the film would only show his face.
Charles agreed, but when he didn't show up for the following Sunday afternoon shoot, Andy reached him at Jerome Hill's suite at the Algonquin and screamed into the phone "Charles! Where are you?" Charles responded: "What do you mean, where am I? You know where I am - you called me," and Andy the said "We've got the camera ready and the five boys are all here, everything's set up!" Charles's shocked reply was: "Are you crazy? I thought you were kidding. I'd never do that!"
There have been several other porn films inspired by Kubrick's oeuvre, including Spermacus, 2002: A Sex Odyssey, Thighs Wide Shut, and A Clockwork Orgy.
Looking west down 42nd Street. Taken with the pocket-sized Kodak Zi-6 from Park Avenue, the part that's elevated and goes around Grand Central. Music by Philip Glass from Koyaanisqatsi. It's amazing how good Glass' music is that some schlub can take a video of a busy Manhattan street using a pocket-sized camera and it comes out feeling like it's a clip from the film. Leitmotif, anyone?
Came out looking pretty good. The major issue I have so far with the Zi6 is the lack of image stabilization...it's pretty jittery, even with a steady hand. But it was $180 and it fits in my pocket so I can't complain too much.
One of the best ways to watch the Olympics is to chase down all the references made by NBC's commentators on YouTube and watch them in addition to (or instead of) the regular telecast. Here are some of the ones I've found.
Olga Korbut's uneven parallel bars routine from the 1972 Olympics (above). Love that dismount! The skills done on the bars today are so much more athletic but Korbut's routine was a magical flowing performance. At the rate the women today are going, the uneven parallel bars will soon be replaced by the high bar used in the men's competitions...they barely use the bottom bar anymore.
My recollection of the men's 4x100m relay at the 1984 Olympics involves the US team trailing after three legs when Carl Lewis (still my favorite Olympian) seizes the baton from Calvin Smith and thunders down the last 100 meters, singlehandedly winning the race and smashing the world record. The reality was somewhat different. The American team was way ahead when Lewis got the baton but it still is amazing to watch him pull away from the rest of the field like that. Bolt-like, innit?
A similar pulling away occurred in 1996 by Michael Johnson in the 200 meters. No one even came close to threatening his world record for 12 years until the emergence of Usain Bolt.
In 1988, Greg Louganis hit his head on the board on his third-to-last dive in the preliminaries of the men's springboard. He returned to qualify for the next round and eventually won the gold medal in the event.
Speaking of tear-inducing performances, Kerri Strug hobbled up to the vault runway on a bum ankle and hit a 9.712 on her final vault in the team competition at the 1996 Games, landing more or less perfectly on one foot, clinching a victory for the US team. Or so the story goes. As with all mythology, the truth is present but not entirely adhered to. As it turned out, the US team had enough of a lead on the Russian team that Strug's last vault was unnecessary. But it hardly dimishes the moment for Strug. At the time, she thought she had to do the vault for the medal and she went out there and stuck it.