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kottke.org posts about Nico Muhly

A moving cover for the New Yorker

posted by Jason Kottke   Nov 30, 2015

Chris Ware, in collaboration with John Kuramoto, Ira Glass, and Nico Muhly, made a moving cover for the latest issue of the New Yorker, both in the sense that it is actually in motion and that the story it tells is touching and makes an impression.

The New Yorker is arguably the primary venue for complex contemporary fiction around, so I often wonder why the cover shouldn’t, at least every once in a while, also give it the old college try? In the past, the editors have generously let me test the patience of the magazine’s readership with experiments in narrative elongation: multiple simultaneous covers, foldouts, and connected comic strips within the issue. This week’s cover, “Mirror,” a collaboration between The New Yorker and the radio program “This American Life,” tries something similar. Earlier in the year, I asked Ira Glass (for whose 2007-2009 Showtime television show my friend John Kuramoto, d.b.a. “Phoobis,” and I did two short cartoons) if he had any audio that might somehow be adapted, not only as a cover but also as an animation that could extend the space and especially the emotion of the usual New Yorker image.

Muhly on Beyonce

posted by Jason Kottke   Jan 07, 2014

Nico Muhly is a young and celebrated classical music composer. His review of Beyonce’s new album is a pretty lyrical composition itself.

This is a beautiful song. On the video, there is a long introduction with piano and strings. Use real strings, please, Beyoncé. The piano might be real but it sounds like the most expensive fake piano on the market. One would love to think that this is a comment on the artificiality of beauty — we’ve become accustomed to an expensive fake in favor of the built-in and beautiful imperfections of reality — but I doubt that was the reason for this particular oversight. Bey: call me; you know where I stay.

(via @fchimero)