Not wanting to listen to the news on inauguration day, artist Kara Walker painted. The result is a Trumpian take on Emanuel Leutze’s famous work “Washington Crossing the Delaware”, a copy of which is on display at the Met Museum. I hope I get to see Walker’s version in a museum or gallery someday soon.
On the walk back from soccer practice the other day, my sharp-eyed seven-year-old son spotted something through the partially papered-up window of a Chelsea gallery. “Hey, Kara Walker!” he says.1 And sure enough:
The gallery is Sikkema Jenkins on 22nd St and Walker’s show, Afterword, starts there tomorrow and runs through mid-January. The show is an extension of A Subtlety, Walker’s installation at the Domino Sugar Factory in Williamsburg over the summer. Several of the sugar statues and the left fist of the sugar sphinx from the Domino installation will be shown along with new video works and notes & sketches from the planning of A Subtlety. You can see some of the figures in the photo above (fashioned out of Domino Sugar, naturally) and I think that’s probably the fist in the background on the right, wrapped in plastic.