Using a black & white workprint of The Dark Crystal that Jim Henson and Frank Oz wanted to release, YouTube user scoodidabop made a full-length director's cut of the film. It's a bit rough in spots, but the original vision is all there.
Production was supposed to have begun on a Dark Crystal sequel, but according to the Muppet Wiki, the project has been shelved.
Vimeo user Subterminally appears to have had the worst 13 seconds of his life last week when he hit the cliff off of which he was base jumping. Subterminallyill received a "Compression Fracture of the T12 Vertebra, 5 stitches to the eye, 6 stitches to the chin, severely sprained Back, wrist and hand. multiple bruised areas," which is not too bad considering he FELL OFF A FUCKING CLIFF.
Alternate copy for this post, "No. No, no no no no no no. No. No. No. No, no, no, no, no. No."
(via just about everyone)
Which gray block is actually darker? Hold something over the seam to find out.
Mindblowing, right? Now for the fun science part: how does this effect work? Well, it works because whoever made this thing is a fucking witch. I mean, Jesus. QED. (via ★interesting-links)
From Pitchfork, a list of the best album covers from 2013. My favorite is this one from Tyler, The Creator, which looks more or less like the opposite of a rap album.
I also liked Michael Cina's cover for Fort Romeau (which he adapted from his very fetching art) and of course Yeezus, which is this year's unignorable album in every way. (via @pieratt)
Your font: Helvetica. Your smell: Helvetica The Perfume.
Helvetica has gone on to become arguably the most ubiquitous and widely used typeface in history.
It is in this spirit that we have created the ultimate Modernist perfume -- a scent distilled down to only the purest and most essential elements to allow you, the content, to convey your message with the utmost clarity.
Air. Water. You.
2 oz. of distilled water. Precious bodily fluids, Mandrake.
Using a large piece of spandex (representing spacetime) and some balls and marbles (representing masses), a high school science teacher explains how gravity works.
The bits about how the planets all orbit in the same direction and the demo of the Earth/Moon orbit are really neat. And you can stop watching around the 7-minute mark...the demos end around then.
Update: Here's another video of a similar system with some slightly different demos.
This Lego Mona Lisa is amazing:
Crazy recognizable even with only ~400 pixels. The Girl With the Pearl Earring is pretty good too. Of course, nothing beats Lego Stephen Hawking. (via mlkshk)
In a clip from Eye of the Leopard narrated by Jeremy Irons, we see a female leopard kill a baboon. And then the leopard notices the baboon has just given birth to a tiny baby. Her reaction is unexpected:
In celebration of his 44th birthday, Jay Z ranked his solo albums:
Here's the annotated list:
1. Reasonable Doubt (Classic)
2. The Blueprint (Classic)
3. The Black Album (Classic)
4. Vol. 2 (Classic)
5. American Gangster (4 1/2, cohesive)
6. Magna Carta (Fuckwit, Tom Ford, Oceans, Beach, On the Run, Grail)
7. Vol. 1 (Sunshine kills this album... fuck... Streets, Where I'm from, You Must Love Me...)
8. BP3 (Sorry critics, it's good. Empire (Gave Frank a run for his money))
9. Dynasty (Intro alone...)
10. Vol. 3 (Pimp C verse alone... oh, So Ghetto)
11. BP2 (Too many songs. Fucking Guru and Hip Hop, ha)
12. Kingdom Come (First game back, don't shoot me)
As I said last year, the photos are always my favorite end-of-the-year media to check out. It's only early December, but a few media outlets are out of the gate already with their year-end lists.
Best photos of the year 2013 from Reuters.
The Top 10 Photos of 2013 from Time.
2013 Pictures of the Year from Agence France Presse.
The 80 Most Powerful Photos of 2013 from The Roosevelts.
Las mejores fotos del 2013 from Yahoo En Español.
Do you have a list for this list? Send it along!
From a blog about the science of dogs, a comparison of photos of purebred dogs from 1915 to those of today. You can see how much the dogs have changed in just under 100 years, in some cases for the worse. For instance, the difference in the Bull Terrier (aka the Spuds MacKenzie dog) is marked and a bit disturbing:
Pure breeding has also introduced medical problems for some breeds.
The English bulldog has come to symbolize all that is wrong with the dog fancy and not without good reason; they suffer from almost every possible disease. A 2004 survey by the Kennel Club found that they die at the median age of 6.25 years (n=180). There really is no such thing as a healthy bulldog. The bulldog's monstrous proportions makes them virtually incapable of mating or birthing without medical intervention.
In a masterfully edited video, David Ehrlich presents his 25 favorite films of 2013.
Fantastic. This video makes me want to stop what I'm doing and watch movies for a week. It's a good year for it apparently...both Tyler Cowen and Bruce Handy argue that 2013 is an exceptional year for movies. I'm still fond of 1999... (via @brillhart)
From a 1968 film shot by director Jean-Luc Godard, here's the Rolling Stones in the recording studio, working on refining Sympathy for the Devil.
Linda Holmes writes about the gender roles of the main characters in the Hunger Games movies and how unusual they are for a mainstream blockbuster film.
But one of the most unusual things about Katniss isn't the way she defies typical gender roles for heroines, but the way Peeta, her arena partner and one of her two love interests, defies typical Hollywood versions of gender roles for boyfriends.
Consider the evidence: Peeta's family runs a bakery. He can literally bake a cherry pie, as the old song says.
He is physically tough, but markedly less so than she is. He's got a good firm spine, but he lacks her disconnected approach to killing. Over and over, she finds herself screaming "PEETA!", not calling for help but going to help, and then running, because he's gone and done some damn fool thing like gotten himself electrocuted.
Mimi Schippers, riffing on Holmes' piece, argues that Katniss is such an interesting character because she's not tied to a particular gender...she's the "movie boyfriend" with Peeta and the "movie girlfriend" with Gale.
Forcing Katniss to choose is forcing Katniss into monogamy, and as I suggested above, into doing gender to complement her partner. Victoria Robinson points out in her article, "My Baby Just Cares for Me," that monogamy compels women to invest too much time, energy, and resources into an individual man and limits their autonomy and relationships with others. What Robinson doesn't talk about is how it also limits women's range of how they might do gender in relationship to others.
It also limits men's range of doing gender in relationships. Wouldn't it be nice if Peeta and Gale never felt the pressure to be something they are not? Imagine how Peeta's and Gale's masculinities would have to be reconfigured to accommodate and accept each other?
Maybe this is why the end of Catching Fire (minor spoilers!) -- Katniss as the cliched irrational hysterical woman who can't be trusted with information -- felt so out of place compared to her gender fluidity throughout the rest of the movie.
In a recent interview, the Coen brothers revealed that their next movie will be "a sandal movie" set in ancient Rome.
Right now, the brothers are plainly excited about what they're writing, which they proudly explain, is set in ancient Rome. It's the allure of the unexpected, all over again.
"It's like: Would you ever do a sandal movie?" laughs Joel. "It's big," says Ethan, grinning. "We're interested in the big questions. And we don't (expletive) around with subtext. This one especially."
Though their movies usually revel in the absurdity of life's predicaments, Ethan promises this film has answers: "It's not like our piddly 'A Serious Man.'" Chimes Joel: "That was a cop-out. We just totally chickened out on that one."
This is what it's like to be poor orig. from Dec 02, 2013
* Q: Wha? A: These previously published entries have been updated with new information in the last 24 hours. You can find past updates here.
Merck is working on a new insomnia drug that they claim has few of the sometimes nasty side effects of other drugs like Ambien. Ian Parker reports for the New Yorker.
If the Merck scientists succeeded at the F.D.A., they would be the first to bring an orexin-related drug to market. "It's an amazing achievement," Richard Hargreaves, the fourth colleague at the Hilton, said. "Everyone should be really proud." But, he added, "my worry is that a new mechanism is being evaluated on the science of an old mechanism."
"With Ambien, you've got a drug that's got basically only onset," Renger said, dismissively. That is, it sends you to sleep but might not keep you asleep. "Suvorexant has the onset, but it has the great maintenance, especially in the last third of the night, where other drugs fail." And even though suvorexant keeps working longer than Ambien, suvorexant patients don't feel groggier afterward, as you might expect. Impassioned, Renger imagined himself addressing the F.D.A.: "Why aren't you giving this a chance?"
"Drugs usually have some side effects," Schoepp said. "It's all benefit-risk." He added, "There is some dose where suvorexant will be ultimately safe-because nothing will happen. If you go low enough, it becomes homeopathic."
They stood to go to their rooms. Schoepp murmured, "I'd love to take it right now."
Errol Morris is at it again, publishing book-length blog posts for the NY Times. This time, he's examining the photograph evidence of Abraham Lincoln and, I think, what those photos might tell us about Lincoln's death. Here's the prologue and part one (of an eventual four).
My fascination with the dating and interpretation of photographs is really a fascination with the push-pull of history. Facts vs. beliefs. Our desire to know the origins of things vs. our desire to rework, to reconfigure the past to suit our own beliefs and predilections. Perhaps nothing better illustrates this than two radically different predispositions to objects -- the storyteller vs. the collector.
For the collector the image with the crack [in one of Lincoln's photographs] is a damaged piece of goods -- the crack potentially undermining the value of the photograph as an artifact, a link to the past. The storyteller doesn't care about the photograph's condition, or its provenance, but about its thematic connections with events. To the storyteller, the crack is the beginning of a legend -- the legend of a death foretold. The crack seems to anticipate the bullet fired into the back of Lincoln's head at Ford's Theater on Good Friday, April 14, 1865.
It should have a name. I call it "the proleptic crack."
From Rap Genius, a chart showing mentions in rap songs of popular social sites and apps like Twitter and Instagram:
Compare with the graph for the same terms from Google News:
And here's the graph for general search terms. (I excluded Snapchat from the Google graphs because Google wouldn't allow 6 search terms at a time...it barely showed up in either case.) Twitter rules the rap roost, but Facebook demolishes everyone in general and news search traffic.
In a video analogue of Alvin Lucier's I Am Sitting in a Room, this YouTube video is uploaded and then downloaded 1000 consecutive times until the image becomes all artifacts.
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