Philippe Halsman was a renowned portrait photographer who was particularly active in the 40s, 50s, and 60s and most famous for his iconic photos of Salvador Dali and Albert Einstein. For a period in the 1950s, Halsman ended his portrait shoots by asking his famous subjects to jump. The results were disarming.
When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
Halsman got all sorts of people to jump for his camera: Richard Nixon (above), Robert Oppenheimer, Marilyn Monroe (above), Aldous Huxley, Audrey Hepburn (above), Brigitte Bardot, and the Duke & Duchess of Windsor (above). He collected all his jump photos into the recently re-released Philippe Halsman’s Jump Book.
The Recording Academy has produced a series of three short and breezy videos on the history of recorded music, from the wax cylinder phonograph to cassette tapes to CDs to MP3s. Interest piqued, I went to read more about the history of the CD. When developing the disc, the physical size of it was dictated by Beethoven:
The two companies argued about what size, shape and technology the CD should support. It was eventually settled on a disc of 115 millimetres in diameter and 74 minutes worth of storage. Why 74 minutes? To fit Beethoven’s 9th Symphony, of course.
When the format was released in 1982, players cost $900 and CDs themselves were $30 ($2270 and $75 in 2016 dollars)1 and fewer than 100 individual titles were available for sale.
Shigeru Miyamoto has designed dozens of the most popular video games in the world: Donkey Kong, Super Mario Bros, and the Legend of Zelda among them. In this video by Vox, Miyamoto shares how he thinks about game design.
This is one of the first times that a video game’s plot and characters were designed before the programming. [Miyamoto:] “Well, early on, the people who made video games, they were technologists, they were programmers, they were hardware designers. But I wasn’t. I was a designer, I studied industrial design, I was an artist, I drew pictures. And so I think that it was in my generation that people who made video games really became designers rather than technologists.”
Also worth watching is this video by Game Maker’s Toolkit about how Nintendo builds everything in their games around a fun and unique play mechanic.
It seems to me that these two videos slightly contradict each other, although maybe you’ll disagree.
Testing human blood for tropical diseases like malaria can be difficult in some parts of the world. Centrifuges used to separate the blood for testing are expensive and require electricity. Researchers from Stanford have developed an ingenious human-powered centrifuge made of paper and string inspired by a children’s toy invented 5000 years ago (paging Steven Johnson, Steven Johnson to the courtesy desk please).
In a global-health context, commercial centrifuges are expensive, bulky and electricity-powered, and thus constitute a critical bottleneck in the development of decentralized, battery-free point-of-care diagnostic devices. Here, we report an ultralow-cost (20 cents), lightweight (2 g), human-powered paper centrifuge (which we name ‘paperfuge’) designed on the basis of a theoretical model inspired by the fundamental mechanics of an ancient whirligig (or buzzer toy; 3,300 BC). The paperfuge achieves speeds of 125,000 r.p.m. (and equivalent centrifugal forces of 30,000 g), with theoretical limits predicting 1,000,000 r.p.m. We demonstrate that the paperfuge can separate pure plasma from whole blood in less than 1.5 min, and isolate malaria parasites in 15 min.
A million rpm from paper and string…that’s incredible. (via gizmodo)
If you spin these sculptures by artist John Edmark at a certain speed and light them with a strobe, they appear to animate in slowly trippy ways.
Blooms are 3-D printed sculptures designed to animate when spun under a strobe light. Unlike a 3D zoetrope, which animates a sequence of small changes to objects, a bloom animates as a single self-contained sculpture. The bloom’s animation effect is achieved by progressive rotations of the golden ratio, phi (ϕ), the same ratio that nature employs to generate the spiral patterns we see in pinecones and sunflowers. The rotational speed and strobe rate of the bloom are synchronized so that one flash occurs every time the bloom turns 137.5º (the angular version of phi).
The effect seems computer generated (but obviously isn’t) and is better than I anticipated. (via colossal)
Update: While not as visually smooth as his sculptures, Edmark’s rotation of an artichoke under strobe lighting deftly demonstrates the geometric rules followed by plants when they grow.
Here we see an artichoke spinning while being videotaped at 24 frames-per-second with a very fast shutter speed (1/4000 sec). The rotation speed is chosen to cause the artichoke to rotate 137.5º — the golden angle — each time a frame is captured, thus creating the illusion that the leaves are moving up or down the surface of the artichoke. The reason this works is that the artichoke grows by producing new leaf one at a time, with each new leaf positioned 137.5º around the center from the previous leaves. So, in a sense, this video reiterates the artichoke’s growth process.
Update: This similar sculpture by Takeshi Murata is quite impressive as well.
French drone company Parrot recently announced significant layoffs and will shift focus away from their recreational drone business.
French company Parrot has had a rough year and missed its sales expectations. That’s why the company will lay off 290 employees who were working on drones. In total, Parrot currently has 840 employees on the drone team and more than a thousand employees in total.
While the company isn’t just selling drones, it represents a good chunk of the business. But it looks like other companies, such as DJI, are doing better in this market. Parrot expected to report $105.9 million in sales for 2016. It reported $90 million instead (€85 million vs. €100 million expected).
Even though the company is still selling quite a few drones, Parrot says that it doesn’t generate healthy margins. So here’s the new plan: focusing on commercial drones.
Well, this explains my holiday shopping difficulties with Parrot. Ollie asked for a drone for Christmas and after doing some research, I decided on the Parrot Swing. Amazon was out of stock, so I decided to buy directly from Parrot. They had stock and the site said they’d ship in plenty of time for Xmas. So I ordered one. The next day, I get a call from Parrot saying I need to “verify my order”. So, I call them back, give them some info about my order and where it’s being shipped and the very nice woman on the phone tells me that I’m all set and they’re shipping it out.
Two days go by, no shipping confirmation email in sight. I get another voicemail: you need to call us to verify your order. I call back, give them the same info and tell them, oh by the way I’ve already done this once. Profuse apologies were offered, that was a mistake, and the very nice woman on the phone tells me she’s going to tell the shipping people to send out my order “right away”. It will still arrive in time for Xmas. The next day I get an email from Parrot:
Hello! We have refunded your order No. XXXXX-XXXXX placed 12/15/2016. We are sorry that your order did not meet your expectations and hope that you will visit us again.
Obviously, I am done with them at this point but still need that drone. Amazon is still out of stock, but Walmart has them. I order one, it arrives two days later (with free shipping), and on Christmas morning, after some reflection, Ollie says it was the best present Santa has ever gotten him.
I did quite a bit of holiday shopping this year…went a bit nuts making up for some not-so-great efforts the past two years. The kids and I shopped for Toys for Tots (twice), I bought gifts for them from me and from Santa, I bought non-holiday stuff like clothes for myself,1 and I shopped virtually for the gift guide. I shopped every which way: small, locally, at big box stores, and online at 4-5 different retailers. My main takeaway from that experience? Amazon is miles and miles and miles ahead of everyone else. It is not even close.
Sure, Walmart had the drone in stock, but when I’d tried shopping with them earlier in the month, the product page threw a 404 error. I switched to Safari and was able to put the item into my cart, but then a form in the ordering flow wouldn’t work, so I had to get that item elsewhere. (When I did finally create an account while ordering the drone, Walmart thought my name was “Ashley”?!)
Target’s site was so slow that it was nearly unusable (like 30-40 seconds for a product page to start loading). But I persevered because they had an item I really wanted that no one else had in stock. I got an email two days before Xmas saying they were out of stock and couldn’t ship until Jan 4 at the earliest, but that if I still wanted the item, I would have to log in to my account to verify the new shipping date. I didn’t want the item later, so I did nothing. Guess what arrived on my doorstep last week?
My troubles with Parrot I shared above. The local toy stores are expensive (Lego sets are $5-10 more than if you buy online) and ran out of popular items 2-3 weeks before Xmas. Very few online stores outside Amazon, Walmart, etc. had clear holiday shipping policies, so relying on them more than a week or two out was risky. Zappos was great (Amazon owns them) and Patagonia was pretty good, although their shipping estimates aren’t that great and returns aren’t free.
And Amazon? The site is always fast, I have never seen a 404’d product page, the URLs for their products haven’t changed in almost 20 years,1 each product page was clearly marked with holiday shipping information, they showed the number of items in stock if they were running low, shipping was free (b/c I’m a Prime member), returns are often free, and the items arrived on time as promised. More than 20 years after the invention of online retailing, how is it that Amazon seems to be the only one that’s figured all this out? How come massive companies like Walmart and Target, whose very businesses are under immense pressure from Amazon, can’t get this stuff right despite having spent hundreds of millions on it? I’m not a financial analyst, but unless something changes drastically, Amazon is just going to continue to eat more and more of the US retail pie and at this point, with all these advantages they’ve accrued and their razor-sharp focus on low pricing, it’s difficult to see how anyone is going to compete.1
If you point a video camera at a projection of the video camera’s output — and if the conditions are just so — you get some interesting patterns that look almost biological. It’s fascinating that video feedback strongly resembles the patterns on brain coral. There must be an underlying emergent process for filling space that links the two patterns together. The video was made by Ethan Turpin…you can see more of his work here. (via @sleeptest)
Cinefix takes a look at what makes ending credit sequences effective, the different techniques used to end movies, and picks a number of films with the best end credits.
The shape of the narratives movies tend to tell lend themselves to an emotional climax that hits right as the screen fades to black for the last time. Be it triumphant, tragic, bittersweet, or thoughtful, the most important feeling is often the last. So, wisely, one of the most common functions of the creative end title sequence is what we’re going to call the coda credits. They grab on to the final emotional note and let it ride out in a long sustain, letting the audience hold onto the final feeling and carry the echoes out with them as the credits roll.
A Canadian musician called TRONICBOX is taking contemporary pop songs like Katy Perry’s Firework, Baby by Justin Bieber, and Somebody I Used To Know by Gotye and remixing them so they sound like they came out in the 80s. The effect is unnerving for someone like me who grew up immersed in 80s pop music. Even though it’s impossible, I can almost remember listening to some of these songs back in my bedroom, probably taped off the radio during Casey Kasem’s top 40 countdown. Total time travel paradox nostalgia bombs. (via digg)
Garry Kasparov, who is one of the top chess players ever, said that his 1999 match against Veselin Topalov was the greatest game of chess he ever played. In this video, MatoJelic goes through the game, move by move. Even if you only have a passing interest in chess, I’d recommend watching…it gets really interesting after the first 10-12 moves (which are presented without explanation) and listening to someone who is passionate about a topic is often worth it.
Also entertaining and informative was his explanation of The Game of the Century, which pitted a 13-year-old Bobby Fischer against Donald Byrne, a top-ranked American player. (via farnam street)
Back in the days of silent film, directors and cinematographers had to be exceedingly clever to pull off visual effects that appeared real. There were obviously no computers so they had to rely on skewed perspectives, glass matte paintings, and double exposures. That famous clip of Harold Lloyd hanging off of a clock…here’s how that was done:
Here are several more examples. See also Disney’s multiplane camera. (via @mccanner)
It makes sense that villages and towns would develop a short distance away from each other so that people living nearby wouldn’t have to travel far to sell their goods, bank, or go to school. But what about cities? Geography has a lot ot do with where cities are located.
If you enjoy this video but haven’t read Jared Diamond’s Guns, Germs, and Steel yet, you probably should.
Beyoncé Knowles recently interviewed her sister Solange Knowles for Interview magazine.
And, as far back as I can remember, our mother always taught us to be in control of our voice and our bodies and our work, and she showed us that through her example. If she conjured up an idea, there was not one element of that idea that she was not going to have her hand in. She was not going to hand that over to someone. And I think it’s been an interesting thing to navigate, especially watching you do the same in all aspects of your work: Society labels that a control freak, an obsessive woman, or someone who has an inability to trust her team or to empower other people to do the work, which is completely untrue. There’s no way to succeed without having a team and all of the moving parts that help bring it into life. But I do have — and I’m unafraid to say it — a very distinctive, clear vision of how I want to present myself and my body and my voice and my perspective. And who better to really tell that story than yourself?
This exchange just made me laugh out loud:
BEYONCÉ: Well, it brought tears to my eyes to hear both of our parents speak openly about some of their experiences. And what made you choose Master P to speak on the album?
SOLANGE: Well, I find a lot of similarities in Master P and our dad.
BEYONCÉ: Me, too. [laughs]
I loved the simple mic drop bio for Beyoncé at the bottom:
BEYONCÉ IS A 20-TIME GRAMMY AWARD-WINNING RECORDING ARTIST. HER SIXTH STUDIO ALBUM AND COMPANION FILM, LEMONADE, WAS RELEASED LAST YEAR.
And Beyoncé is right about Solange’s wedding photo (above), it is indeed “the dopest wedding photo of all time”. (via @caseyjohnston)
And much more in the archives...