The Ballad of Holland Island House was created by animator Lynn Tomlinson using a clay-on-glass painting technique.
The Ballad of Holland Island House is a short animation made with an innovative clay-painting technique in which a thin layer of oil-based clay comes to vibrant life frame by frame. Animator Lynn Tomlinson tells the true story of the last house on a sinking island in the Chesapeake Bay. Told from the house’s point of view, this film is a soulful and haunting view of the impact of sea-level rise.
The technique is a hybrid of traditional cel animation (traditionally done on transparent sheets) and claymation stop-motion animation.
In 1958, Michael Young published a book called The Rise of the Meritocracy as a satirical criticism of the concept of meritocracy. From Wikipedia:
It describes a dystopian society in a future United Kingdom in which intelligence and merit have become the central tenet of society, replacing previous divisions of social class and creating a society stratified between a merited power holding elite and a disenfranchised underclass of the less merited.
In 2001, Young wrote a piece for The Guardian about his disappointment that the satire had been stripped away from his term and embraced by an elite using it to justify their status.
The business meritocracy is in vogue. If meritocrats believe, as more and more of them are encouraged to, that their advancement comes from their own merits, they can feel they deserve whatever they can get.
They can be insufferably smug, much more so than the people who knew they had achieved advancement not on their own merit but because they were, as somebody’s son or daughter, the beneficiaries of nepotism. The newcomers can actually believe they have morality on their side.
So assured have the elite become that there is almost no block on the rewards they arrogate to themselves. The old restraints of the business world have been lifted and, as the book also predicted, all manner of new ways for people to feather their own nests have been invented and exploited.
Salaries and fees have shot up. Generous share option schemes have proliferated. Top bonuses and golden handshakes have multiplied.
As a result, general inequality has been becoming more grievous with every year that passes, and without a bleat from the leaders of the party who once spoke up so trenchantly and characteristically for greater equality.
Perhaps the tide seems to be turning slightly of late, but the meritocracy is thrown around pretty regularly in Silicon Valley as a justification for all sorts of things. Maybe the problem is the Valley doesn’t understand satire…after all, they invented a food product called Soylent. (via @mulegirl)
Snails, particularly those shown in combat with knights, show up in the margins of medieval manuscripts copied around the turn of the 14th century…a sort of medieval meme that spread among scribes. In this video, Phil Edwards investigates what’s going on with those snails, drawing upon the work of Lilian Randall in The Snail in Gothic Marginal Warfare (a corker of a title for an academic work, to be sure).
For the first time in 30 years, the world’s cloud authority has classified a dozen new types of cloud. You can find them in the International Cloud Atlas, published by the World Meteorological Organization.
The existing classifications have been reviewed and all have been retained. Several new, formal cloud classifications have been introduced. These include one new species (volutus), five new supplementary features (asperitas, cauda, cavum, fluctus and murus), and one new accessory cloud (flumen). The species floccus has been formally recognized as being able to occur in association with stratocumulus. The separate section on Special Clouds has been removed, and the cloud and meteor types previously discussed within this section have been integrated into the cloud classification scheme as cataractagenitus, flammagenitus, homogenitus, silvagenitus, and homomutatus.
The cloud in the second photo is a cavum cloud, which is not so much a cloud itself as a hole in a altocumulus or cirrocumulus cloud. The cloud in the top photo, the one that looks like a van Gogh painting, is an asperitas (formerly known as undulatus asperatus). The asperitas is best seen in motion:
Magali Barbé wrote and directed this short sci-fi video about an imaginary augmented reality game called Strange Beasts. It starts off with a “hey, yeah, cool, augemented reality games are going to be fun to play” vibe but gradually veers down the same dystopian path as a lot of augmented reality fictions (like Keiichi Matsuda’s Hyper-Reality). Barbé wrote about how the video was created.
Since the late 1980s, the winning percentage of road teams has been rising in the NBA. After speaking to dozens of players, coaches, and team officials, Tom Haberstroh found a fairly accepted answer: “NBA players are sleeping more and drinking less”. Players are taking their careers more seriously and partying less on the road while transportation coordination has improved. Ubiquitous cameras and big sponsorships keep bad behavior in check. An additional factor is that with apps like Tinder and Instagram, companionship can be delivered to a player’s hotel room like Seamless or Postmates without the need to drink at the club for a few hours beforehand.
Indeed, various apps have done for sex in the NBA what Amazon has done for books. One no longer needs to leave home to find a party. The party now comes to you. And lifestyle judgments aside, the NBA road life is simply more efficient — and less taxing — when there aren’t open hours spent trolling clubs.
“It’s absolutely true that you get at least two hours more sleep getting laid on the road today versus 15 years ago,” says one former All-Star, who adds that players actually prefer Instagram to Tinder when away from home. “No schmoozing. No going out to the club. No having to get something to eat after the club but before the hotel.”
The NBA player staring at a 9:30 a.m. team breakfast in a hotel conference room the morning of the game can now log seven or eight hours of z’s and still enjoy a tryst. Thanks to direct messaging and texting, some NBA players even arrange to have keys left at the front desk so dates can be inside the room when a player arrives at the hotel.
As Haberstroh says further down in the article, “Partying is the midrange jumper of nightlife.” (via mr)
Daft Punk creates their songs by extensively sampling records, mostly from the 70s and 80s. In some cases, bits of song are used relatively unchanged while others are chopped up and repeated to the point of being unrecognizable. Here are a few of the group’s samples compared with their original sources.
See also the duo’s Alive 2007 live album, which I have been listening to extensively lately.
Update: The video I’d originally linked to got taken down but I replaced it with another one. Here’s another one as well.
From The Guardian, a typically illuminating piece from George Saunders on how he approaches writing…and more specifically how he approached writing a novel after so many years of writing short stories. Regarding the writer/reader connection:
This is a hopeful notion, because it implies that our minds are built on common architecture — that whatever is present in me might also be present in you. “I” might be a 19th-century Russian count, “you” a part-time Walmart clerk in 2017, in Boise, Idaho, but when you start crying at the end of my (Tolstoy’s) story “Master and Man”, you have proved that we have something in common, communicable across language and miles and time, and despite the fact that one of us is dead.
Another reason you’re crying: you’ve just realised that Tolstoy thought well of you — he believed that his own notions about life here on earth would be discernible to you, and would move you.
Tolstoy imagined you generously, you rose to the occasion.
Rayna is a small child who thinks this hot water heater looks like a robot and she is determined to say hi to it and tell it that she loves it. THIS IS THE CUTEST THING OF ALL TIME THAT IS NOT THAT PHOTO OF OTTERS HOLDING HANDS SO THEY DON’T DRIFT AWAY FROM EACH OTHER WHILE SLEEPING. In the future, when humanity is on trial for the mistreatment of machines, our randomly assigned legal algorithm will introduce this video as Exhibit A in our defense. I like our chances.
The title of this video is “Camera falls from airplane and lands in pig pen—MUST WATCH END!!” and there is literally nothing else I can say to entice you to watch it if you’re not already hooked by that.
The Guardian has an entertaining and touching excerpt of Bill Hayes’ memoir Insomniac City about his moving to New York and his relationship with Oliver Sacks. Even though Sacks had little interest or knowledge about popular culture — “‘What is Michael Jackson?’ he asked me the day after the news [of Jackson’s death]” — he became part of it, and so he and Hayes travel to Iceland to dine with Björk and run into the actress and model Lauren Hutton at a concert.
[Hutton] overheard Oliver talking to Kevin about his new book, Hallucinations, which was coming out in a couple weeks. Lauren leaned across the table and listened intently.
“Hey doc, you ever done belladonna?” she asked. “Now there’s a drug!”
“Well, as a matter of fact, yes, I have,” and he proceeded to tell her about his hallucinations on belladonna. They traded stories. Eventually she began to figure out that this wasn’t his first book.
“Are you — are you Oliver Sacks? The Oliver Sacks?” Oliver looked both pleased and stricken.
“Well, it is very good to meet you, sir.” She sounded like a southern barmaid in a 50s western. But it wasn’t an act. “I’ve been reading you since way back. Oliver Sacks - imagine that!”
Oliver, I should note, had absolutely no idea who she was, nor would he understand if I had pulled him aside and told him.
Fashion? Vogue magazine? No idea…
The two of them hit it off. She was fast-talking, bawdy, opinionated, a broad - the opposite of Oliver except for having in common that mysterious quality: charm.
See also My Own Life, a piece about the cancer diagnosis that would eventually take Sacks’ life.
Over the last few days, I have been able to see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts. This does not mean I am finished with life.
On the contrary, I feel intensely alive, and I want and hope in the time that remains to deepen my friendships, to say farewell to those I love, to write more, to travel if I have the strength, to achieve new levels of understanding and insight.
This will involve audacity, clarity and plain speaking; trying to straighten my accounts with the world. But there will be time, too, for some fun (and even some silliness, as well).
Sacks dictated the piece to Hayes “nearly verbatim” and is very much worth a re-read. (via @tedgioia)
From Aron Strandberg,1 this is a timeline visualization of the age of the world’s population from 1960-2060. The world’s human population has increased rapidly in the last couple centuries, most recently doubling since 1970:
A tremendous change occurred with the industrial revolution: whereas it had taken all of human history until around 1800 for world population to reach one billion, the second billion was achieved in only 130 years (1930), the third billion in less than 30 years (1959), the fourth billion in 15 years (1974), and the fifth billion in only 13 years (1987).
But watching that video, you’ll realize that the world’s population will not reach 20 or 30 billion in 2050 — human civilization is getting old.
From director Martin McDonagh, who is also responsible for In Bruges, comes Three Billboards Outside Ebbing Missouri. Frances McDormand stars and even in the trailer, she is a force of nature. (No offense to Meryl Streep, but McDormand is a very strong candidate for the best actor or actress working today.) The red band trailer above is entertaining in its use of many of George Carlin’s seven dirty words but I prefer the more conventional trailer I saw in the theater the other day — which I cannot locate online for some reason — because, among other reasons, it contains more Peter Dinklage.
This video from Vox explains how Vladimir Putin took advantage of the post-Soviet political and economic chaos in Russia to become its leader in a very short period of time and what’s he done with that leadership since then.
Vladimir Putin has been ruling Russia since 1999. In that time he has shaped the country into an authoritarian and militaristic society. The Soviet Union dissolved into 15 new countries, including the new Russian Federation. In Putin’s eyes, Russia had just lost 2 million square miles of territory. But Putin’s regime has also developed and fostered the most effect cyber hacker army in the world and he’s used it to wreak havoc in the West. But the election of Donald Trump brings new hope for the Putin vision. Trump’s rhetoric has been notably soft on Russia. He could lift sanctions and weaken NATO, potentially freeing up space for Putin’s Russia to become a dominant power once again.
Watching this, it’s easy to see how Putin’s progress in Making Russia Great Again, not to mention the authoritarian methods he employs, would be appealing to Trump.
See also Here are 10 critics of Vladimir Putin who died violently or in suspicious ways.
And much more in the archives...