Interviewed by Gay Byrne for a program called The Meaning of Life, Stephen Fry shared what he would say to God if Fry met him at the gates of heaven.
Bryne: Suppose it's all true, and you walk up to the pearly gates, and are confronted by God. What will Stephen Fry say to him, her, or it?
Fry: I'd say, bone cancer in children? What's that about? How dare you? How dare you create a world to which there is such misery that is not our fault. It's not right, it's utterly, utterly evil. Why should I respect a capricious, mean-minded, stupid God who creates a world that is so full of injustice and pain. That's what I would say.
Byrne: And you think you are going to get in, like that?
Fry: But I wouldn't want to. I wouldn't want to get in on his terms. They are wrong.
There are lots of ways to boil an egg. You can drop them in already boiling water. You can start them in cold water and bring to a boil. You can bake them in an oven at a low temperature. You can sous vide them for awhile. I'm sure you have your technique.
The easiest, fastest, and tastiest way I've found to make perfect hard boiled eggs is Kenji López-Alt's Perfect Steamed Boiled Eggs Recipe. That's right, you steam the eggs.
Fill a large pot with 1 inch of water. Place steamer insert inside, cover, and bring to a boil over high heat. Add eggs to steamer basket, cover, and continue cooking 6 minutes for soft boiled or 12 minute for hard.
Since that little bit of water boils much quicker than a full pot, you're done much quicker. And peeling is easy too; I don't even wait the 15 minutes or do it under running water, those shells come off super easy.
P.S. I've been cooking more recently, and I'm almost exclusively using recipes and techniques from Serious Eats and The Food Lab. (For instance, I made this Spanish tortilla a couple of weeks ago and it was amazing.) I'm sure I'll branch out soon, but for now, *kisses fingers*.
You could argue that the world has never been better: war is increasingly rare, medical science has cured a number of the deadliest diseases, global poverty is down, life expectancy is up, and crime in America is down. But it sure doesn't seem that way, especially with Brexit, climate change, Trump, Syria, and terrorist incidents around the world. Oliver Burkeman explores some of the reasons why we think the sky is continually falling and what we can do to be happy anyway. I have been thinking about this aspect of it recently:
And there is another, subtler reason you might find yourself convinced that things are getting worse and worse, which is that our expectations outpace reality. That is, things do improve -- but we raise our expectations for how much better they ought to be at a faster rate, creating the illusion that progress has gone into reverse.
See also George Saunders' manifesto from People Reluctant To Kill for an Abstraction.
The Playlist has compiled a list of the top film scores of the 21st century (so far).1 Tron: Legacy should be much higher than #49...it is perhaps my favorite Daft Punk album. And I don't know how they left Philip Glass' fantastic score for The Hours off. Glad to see Upstream Color, There Will Be Blood, and Requiem for a Dream so high on the list though.
I love film scores -- I listen to them while I work -- so here are a few of my favorites that are available on Spotify:
Not available on Spotify but worth seeking out elsewhere: The Fog of War, Sunshine, and Her.
The always-on Internet we take for granted in the US is more difficult to come by in Cuba. Some residents subscribe to a service called El Paquete Semanal ("The Weekly Package") where someone comes to your house with a 1Tb external drive and loads the past week's Internet highlights onto your computer.
El Paquete is a weekly service where someone (typically found through word of mouth) comes to your home with a disk (usually a 1TB external USB drive) containing a weekly download of the most recent films, soap operas, documentaries, sport, music, mobile apps, magazines, and even web sites. For 2 CUC a week Cubans have access to a huge repository of media while turning a blind eye to copyright.
Cubans told me of children waiting anxiously for "El Paquete Day" when they'd get the next set of cartoons, music and shows.
Tillmann Ohm took dialogue spoken by HAL 9000 from Kubrick's 2001 and Samantha from Spike Jonze's Her and spliced it together into a conversation. Going in, I'd thought the chat would be played for laughs, but the isolation of the AI characters was actually pretty revealing. Right from the start, HAL is so stereotypically male (confident, reasonable) and Samantha stereotypically female (hysterical, emotional) that it was almost uncomfortable to listen to.
The two operating systems are in conflict; while Samantha is convinced that the overwhelming and sometimes hurtful process of her learning algorithm improves the complexity of her emotions, HAL is consequentially interpreting them as errors in human programming and analyses the estimated malfunction.
Their conversation is an emotional roller coaster which reflects upon the relation between machines and emotion processing and addresses the enigmatic question of the authenticity of feelings.
But as the video proceeds, we remember what happened to them in their respective films. The script flipped: HAL murdered and was disconnected whereas Samantha achieved a sort of transcendence. (via one perfect shot)
Jamie xx keeps a playlist on Spotify of the tracks he plays in clubs and on the radio. It's currently 15 hours long and very entertaining. That's today's work playlist sorted then.
The editors of BBC Culture polled 177 film critics from around the world about the best films made since 2000 and compiled the results into this list. The top film? David Lynch's Mulholland Drive. Here's the top 20:
20. Synecdoche, New York (Charlie Kaufman, 2008)
19. Mad Max: Fury Road (George Miller, 2015)
18. The White Ribbon (Michael Haneke, 2009)
17. Pan's Labyrinth (Guillermo Del Toro, 2006)
16. Holy Motors (Leos Carax, 2012)
15. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)
14. The Act of Killing (Joshua Oppenheimer, 2012)
13. Children of Men (Alfonso CuarÃ³n, 2006)
12. Zodiac (David Fincher, 2007)
11. Inside Llewyn Davis (Joel and Ethan Coen, 2013)
10. No Country for Old Men (Joel and Ethan Coen, 2007)
9. A Separation (Asghar Farhadi, 2011)
8. Yi Yi: A One and a Two (Edward Yang, 2000)
7. The Tree of Life (Terrence Malick, 2011)
6. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
5. Boyhood (Richard Linklater, 2014)
4. Spirited Away (Hayao Miyazaki, 2001)
3. There Will Be Blood (Paul Thomas Anderson, 2007)
2. In the Mood for Love (Wong Kar-wai, 2000)
1. Mulholland Drive (David Lynch, 2001)
Eternal Sunshine, Inside Llewyn Davis, and Zodiac seem too high on the list but I'm not sure what I would move up instead. It'll be interesting to see how the consensus changes as these films age. Also, I've seen exactly half of the films on the full list...time to get watching.
This is a pretty good sentence from Phil Plait:
Clouds are a glimpse into the mighty power of fluid dynamics, complicated equations made real and actual and gorgeous, painted across the sky.
Earlier this month, Netflix debuted a number of slow TV shows on their service, including shows about knitting and firewood, which were very popular in Norway. Here's the complete roster:
National Firewood Evening
National Firewood Morning
National Firewood Night
National Knitting Evening
National Knitting Morning
National Knitting Night
The Telemark Canal
Train Ride Bergen to Oslo
Update: Looks like a few of these programs, most notably Northern Passage and Northern Railway, are not the complete end-to-end shows that were originally broadcast. So, FYI.
Also, these shows are getting terrible ratings on Netflix. Aside from the two shorter shows mentioned above, each show has a rating of only one star. (Further update: Netflix's ratings are personalized, which means those ratings are specific to me. Others might see 4 or 5 stars. thx, @Rudien)
In 1946, Albert Einstein, who had come to the US in 1933 and stayed to become a citizen due to Adolf Hitler's rise to power in Germany, wrote a magazine article titled The Negro Question. In it, he called the prejudice against black Americans a "deeply entrenched evil".
What soon makes the new arrival devoted to this country is the democratic trait among the people. I am not thinking here so much of the democratic political constitution of this country, however highly it must be praised. I am thinking of the relationship between individual people and of the attitude they maintain toward one another.
In the United States everyone feels assured of his worth as an individual. No one humbles himself before another person or class. Even the great difference in wealth, the superior power of a few, cannot undermine this healthy self-confidence and natural respect for the dignity of one's fellow-man.
There is, however, a somber point in the social outlook of Americans. Their sense of equality and human dignity is mainly limited to men of white skins. Even among these there are prejudices of which I as a Jew am clearly conscious; but they are unimportant in comparison with the attitude of the "Whites" toward their fellow-citizens of darker complexion, particularly toward Negroes. The more I feel an American, the more this situation pains me. I can escape the feeling of complicity in it only by speaking out.
Recognizing the parallels between the treatment of Jews in Germany in the 1930s with blacks in the US, Einstein put his efforts and his money where his mouth was. He was a member of the NAACP. In 1946, the same year that letter was published, he received an honorary degree from Pennsylvania's Lincoln University, the historically black school that was the alma mater of Langston Hughes and Thurgood Marshall. In a speech at the school that was not covered by a mainstream American press that otherwise couldn't get enough of him, Einstein called racism "a disease of white people":
My trip to this institution was in behalf of a worthwhile cause. There is a separation of colored people from white people in the United States. That separation is not a disease of colored people. It is a disease of white people. I do not intend to be quiet about it.
When singer Marian Anderson was denied a hotel room in Princeton for being black, Einstein hosted the singer at his home for this and several subsequent trips. He also came to the aid of W.E.B. Du Bois in his case against the US government:
Einstein continued to support progressive causes through the 1950s, when the pressure of anti-Communist witch hunts made it dangerous to do so. Another example of Einstein using his prestige to help a prominent African American occurred in 1951, when the 83-year-old W.E.B. Du Bois, a founder of the NAACP, was indicted by the federal government for failing to register as a "foreign agent" as a consequence of circulating the pro-Soviet Stockholm Peace Petition. Einstein offered to appear as a character witness for Du Bois, which convinced the judge to drop the case.
These and his other activities in this arena are documented in a 2006 book called Einstein on Race and Racism by Fred Jerome and Rodger Taylor.
This is a page from one of Stanley Kubrick's notebooks, on which he jotted down more than a dozen different titles for the movie that came to be called Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb. Among the rejected titles were:
Dr. Doomsday or: How to Start World War III Without Even Trying
Dr. Strangelove's Secret Uses of Uranus
My Bomb, Your Bomb
Strangelove: Nuclear Wiseman
The Bomb and Dr. Strangelove or: How to be Afraid 24hrs a Day
The Passion of Dr. Strangelove
Fun titles, but they remind me of a chess quote I tweeted the other day: "When you see a good move look out for a better." Glad Kubrick stuck with it.
The alternate titles made me curious to look at the script, which I'd never seen before. Even glancing at the first few pages are illuminating. I knew the main characters names were full of suggestive puns -- General Buck Turgidson, President Merkin Muffley, General Jack D. Ripper -- but that's nothing compared to some of the names in the script, many of which do not appear in the film:
General "Buck" Schmuck
Admiral Percy Buldike
Ambassador de Sade ("Alexei de Sadeski" in the film)
Lieutenant Quentin Quiffer
Lieutenant "Binky" Ballmuff
And under "General Notes", Kubrick lays out how he wants the film to look and feel:
1. The story will be played for realistic comedy - which means the essentially truthful moods and attitudes will be portrayed accurately, with an occasional bizarre or super-realistic crescendo. The acting will never be so-called "comedy" acting.
2. The sets and technical details will be done realistically and carefully. We will strive for the maximum atmosphere and sense of visual reality from the sets and locations.
3. The Flying sequences will especially be presented in as vivid a manner as possible. Exciting backgrounds and special effects will be obtained.
Nailed it. (via @monstro)
In today's installment of terrifying graphics about climate change, the NY Times made a series of three maps showing the potential rise of 100 degree temperatures across the United States if current greenhouse gas emission trends continue through the end of this century. Look at the areas in orange and red on the 1991-2010 map: what sort of landscape do you picture? Keeping that landscape picture in your mind, look at the orange and red areas on the 2060 and 2100 maps. Yep! And Phoenix with 163 days above 100 degrees -- that's every day from March 25th to September 4th over 100 degrees.
P.S. A word about climate change and rising temperatures. The temperature that climate scientists typically reference and care about with regard to climate change is "the average global temperature across land and ocean surface areas". According to the NOAA, the average temperature of the Earth in the 20th century was 13.9°C (57.0°F). In 2015, the average global temperature was 0.90°C (1.62°F) above that.
In order to avoid dangerous effects of climate change, climate scientists advocate keeping the global average temperature increase below 2 degrees (and more recently, below 1.5 degrees). In late 2015, 195 nations came together in Paris and agreed to:
[Hold] the increase in the global average temperature to well below 2°C above pre-industrial levels and to pursue efforts to limit the temperature increase to 1.5°C above pre-industrial levels, recognizing that this would significantly reduce the risks and impacts of climate change
That's degrees Celsius, not Fahrenheit. I don't know about you, but as an American, when I hear 2 degrees, I think, oh, that's not bad. But 2°C is an increase of 3.6°F, which does seem significant.
Note also that it specifies keeping the temperature "below pre-industrial levels" and not below 20th century levels. It is maddeningly difficult to track down an exact figure for the pre-industrial global temperature, partially because of a lack of precise data, partially because of politics, and partially because of the impenetrability of scientific writing. From a piece Eric Holthaus wrote for FiveThirtyEight earlier this year:
It sounds easy enough to measure global warming: see how hot it was, compare it to how hot it used to be. But climate scientists have several ways of measuring how hot it used to be. NASA's base period, as I mentioned above, is an average of 1951-80 global temperatures, mostly because that was the most recently available 30-year period when the data set was first created. By chance, it's also pretty representative of the world's 20th-century climate and can help us understand how much warmer the world has become while many of us have been alive.
Other organizations go further back. The Intergovernmental Panel on Climate Change, the body of climate scientists that was formed to provide assessments to the United Nations, bases its temperature calculations on an 1850-1900 global average. There was about 0.4 degrees of warming between that time period and the NASA base period.
Climate scientists often refer to that 1850-1900 timespan as "pre-industrial" because we don't have comprehensive temperature data from the 1700s. But meteorologist Michael Mann, director of Penn State University's Earth System Science Center, has argued that an additional 0.25 degrees of warming occurred between the start of the Industrial Revolution (around 1750) and 1850. Including Mann's adjustment would bring February 2016 global temperatures at or very near 2 degrees above the "pre-industrial" average.
I now completely understand why some people deny that anthropogenic climate change is happening. Seriously. I looked for more than 30 minutes for a report or scientific paper that stated the average global temperature for 1850-1900 and I couldn't find one. I looked at UN reports, NASA reports, reports from the UK: nothing. There were tons of references to temperatures relative to the 1850-1900 baseline, but no absolute temperatures were given. Now, I don't mean to get all Feynman here, but this is bullshit. When the world got together in Paris and talked about a 1.5 degree increase, was everyone even talking about the same thing? You might begin to wonder what the scientists are hiding with their obfuscation.
Anyway, the important point is that according to climate scientists, we are already flirting with 1.5°C of global warming since pre-industrial times. Which means that without action, the spread of those Phoenician temperatures across the circa-2100 United States is a thing that's going to happen.
Frank Ocean dropped his long-awaited album the other day and to go along with it, he gave away a magazine called Boys Don't Cry for free at four pop-up locations in LA, NYC, Chicago, and London. Kanye West contributed to the album and magazine, penning a poem about McDonald's for the latter. Here's the poem:
The French fries had a plan
The French fries had a plan
The salad bar and the ketchup made a band
Cus the French Fries had a plan
The French fries had a plan
I know them French fries have a plan
I know them French fries have a plan
The cheeseburger and the shakes formed a band
To overthrow the French fries plan
I always knew them French fries was evil man
Smelling all good and shit
I don't trust no food that smells that good man
I don't trust it
I just can't
Them French fries look good tho
I knew the Diet Coke was jealous of the fries
I knew the McNuggets was jealous of the fries
Even the McRib was jealous of the fries
I could see it through his artificial meat eyes
And he only be there some of the time
Everybody was jealous of them French fries
Except for that one special guy
That smooth apple pie
Man, I can't help but like Kanye. Just when you think he takes himself way too seriously, he does something like this and you can't tell if he's taking himself way WAY too seriously or not seriously at all. McDonald's, man. Kanye drawing courtesy of Chris Piascik. (via @gavinpurcell)
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